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Author Topic: Order of things  (Read 692 times)
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Wendy
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« on: May 30, 2011, 04:57:33 PM »

Under saddle, would you establish the walk and trot with relaxation before asking for collection?
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"A straight horse isn't a horse without bending, but a horse that uses his four legs to step forward in the direction of movement.''
Gustav Steinbrecht (1808–1885)
Della
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« Reply #1 on: May 30, 2011, 06:51:16 PM »

If collection is an expression of extreme suppleness - and how else can you achieve the flexion required to truly transfer weight backwards? - then relaxation is one of the first, and essential elements required on the road to collection.

That's my short reply.

For the longer version ... that's a book in itself and I can't type that well.
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whisper's mum
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« Reply #2 on: May 30, 2011, 06:52:54 PM »

Agree with Della.  nod
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Helen, Worcestershire, England

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Camacoona
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WWW
« Reply #3 on: May 30, 2011, 10:12:03 PM »

 thumbs  me too!  thumbs

However it does depend on what you mean!  ouch  and what school (german/French) you use because as time has gone on for me, relaxation and the development of contact and suppleness (and therefore relaxation) is different in each school. 

I think relaxation in the German school would have the horse in a lower frame with the horse pushing to the contact (French purists would say pushing through the hand) and wouldn't consider collection until all other elements of the training scales were in eveidence at least.  The French school would tend to have softness in contact as some evidence of relaxation (but some German school riders would say these horses are hiding behind the contact)

 But maybe someone more qualified should comment on that!

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Omar EET4 AEEHT Cumbria (the wild northwest!)
Della
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« Reply #4 on: May 31, 2011, 10:37:56 AM »

Omar, you are much too technical for me!

However, I will try to put what I mean into a few words (don't know if it's what Wendy means though).

Relaxation - starts mentally then flows through the body of the horse so that it is like riding melting butter. Sorry about the analogy. That's how I think of it.

Then I work on mobilising the both end of the horse independently, but still maintaining that feeling of 'melting butter'. By mobilising I mean literally just asking the back end to move around a bit, then the from end. This is necessary because these exercises enable me ask for equal weighting in each leg so that balance is improved. I do ask for balance at the halt before moving, but I can't do this initially with most horses. That tends to work better for me once we have done som mobilisation work. That is probably just my lack of skill.

During this work I don't really care too much how the horse is using itself as long as the relaxation is maintained.

Once this is good(ish) at walk, I'll repeat the whole in trot.
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Della
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« Reply #5 on: May 31, 2011, 10:42:35 AM »

I was editing and pushed the wrong button  cc_confused

Well, it's posted now.

I will just finish an already flawed post by saying that once the horse understands that it should maintain the same mental and physical approach to the work, we tend to push on quite easily without tension (that major restrictor of the range of movement) being an issue.

However, I think that my method of working does reflect the horses that I have worked with - too many ex racers - I love  them  wub
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Camacoona
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« Reply #6 on: May 31, 2011, 11:02:04 AM »

 thumbs thumbs Sounds very much like my techniques too Della!  thumbs  thumbs
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Omar EET4 AEEHT Cumbria (the wild northwest!)
Wendy
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« Reply #7 on: May 31, 2011, 11:39:50 AM »

Interesting answers, thanks.

So - by asking for too much too soon - for however short a period - how is that likely to affect the horse physically and psychologically?
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"A straight horse isn't a horse without bending, but a horse that uses his four legs to step forward in the direction of movement.''
Gustav Steinbrecht (1808–1885)
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« Reply #8 on: May 31, 2011, 12:08:00 PM »

Interesting answers, thanks.

So - by asking for too much too soon - for however short a period - how is that likely to affect the horse physically and psychologically?

Look at Rija.  sad We are now doing what Della says, under the guidance of Lou.  wink
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Helen, Worcestershire, England

On white horses, snowy white horses, let me ride away

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How about a rescue pet? :-)
issywizz
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WWW
« Reply #9 on: May 31, 2011, 12:49:04 PM »

I would have thought it would likely cause all sorts of stress/tension and blockages in the horse  sad

Loved Dellas post  thumbs
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Wendy
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« Reply #10 on: May 31, 2011, 01:16:50 PM »

Look at Rija.  sad We are now doing what Della says, under the guidance of Lou.  wink

What happened to Rija?
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"A straight horse isn't a horse without bending, but a horse that uses his four legs to step forward in the direction of movement.''
Gustav Steinbrecht (1808–1885)
whisper's mum
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« Reply #11 on: May 31, 2011, 01:41:51 PM »

What happened to Rija?

Rija was pushed hard before Maria had her and she falls to pieces under any kind of stress.  sad She used to offer Spanish Walk or Piaffe(piffle)  when she felt under pressure (she nearly knee-capped Heather when she moved close to work her inhand  Embarrassed) but then progressed to little rears. Her paces became more and more restricted because of her tight back and she actually lost her canter, it began to look like a camel, even in the field!  cry  

At the moment the only focus of her work is relaxation and after only 2 lessons, it is working.  Rija loves Lou, at the end of our last lesson, she put her head into Lou's chest for a cuddle.  wub
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Helen, Worcestershire, England

On white horses, snowy white horses, let me ride away

pm user name:  whisper#39;s mum

How about a rescue pet? :-)
ukica
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« Reply #12 on: May 31, 2011, 02:48:20 PM »

Wendy, are these questions arising out of the MDJ stuff???  Or after the the bucking episode or something?  Very interested in your answer.  Am wondering whether some of it could be making Santi's back tight.

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Wendy
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« Reply #13 on: May 31, 2011, 03:08:53 PM »

No, Angela, nothing to do with the MdJ stuff.
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"A straight horse isn't a horse without bending, but a horse that uses his four legs to step forward in the direction of movement.''
Gustav Steinbrecht (1808–1885)
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